Are you ready for a critique group?

As a writer someone will eventually tell you to join a critique group. Sure we all have friends and family more than willing to give us their advice/opinion on writing. Sometimes a critique group can be the Rosetta stone of storytelling.
It can also Pugatory.
Lots has been written about bad critique groups and bad critiques as well as breaking up with those groups, so I won’t go into that here. Instead, before you join, you need to decide what it is you wish to get out of the group. Okay, multi-book contract aside, let’s focus on a few particulars.

1st-Do you need help on the technical stuff–POV, sensory details, description.
Second-Is your manuscript a balance of narrative, description and dialogue?
3rd-How is your handle on grammar and those pesky punctuation rules?
4th-Do your characters walk off the page or do they behave oddly at times? Do you understand Goal, motivation, and conflict?
5th-Maybe your middle sags and you need to find a way to punch it up. Or where you went wrong in the initial chapters.
6th-Maybe your plot has more holes than a wedge of Swiss cheese. And you’d like to brainstorm and have your partners present options along with their remarks.
7th-Can you take constructive criticism? Or do you just want people to tell you how wonderful you write?
8th-Can you take nonconstructive criticism? People are entitled to their opinions, even when they’re wrong.
9th-Are you going to take everyone’s advice or no one’s? No one likes to think they’re wasting their time on your manuscript, but listening to everyone will strip your voice off the pages.
10th-Are you going to get even with someone who marks up your pages? Or make petty remarks on someone’s story because others in the group routinely praise them?

While this is not an all inclusive list, it’s a good start. After all, only after knowing yourself, your expectations, and your writing abilities can you hope to find a group that suits your needs.

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Judgement

We are seven.
Half the number at the Last Supper.
Fewer than the Commandments
One for each of the Deadly Sins
Seven who sit in Judgement,
weighing not the individual soul,
But the collective worth of humankind.

Despite our numbers,
we span the globe.
The squalling infant in a dusty summer field
the teenage misfit braving the stares
and the old woman with blue veined hands endlessly toiling .
Young and old; poor and rich,
the downtrodden, the triumphant;
the peasant and the king.

We drift through life,
measuring the immeasurable.
A kindness here; a harsh word there.
We hear the crunch of bone; the whisper of comfort.
Our faith abides
under star, cross, crescent
and no banner at all.

We see behind closed doors,
dark sunglasses and floor length veils.
Yet we can do nothing
but watch
a single drop of kindness
ripple through the oceans
and lap at every shore.

Give us what we need.
Fill the drying well.
He is the judge
but we are the jury.
For we are you
and when we lose hope.
All is lost.

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Arizona Dreamin”

FRIDAY NIGHT (Jun 3rd) SPECIAL PRESENTATION ~ 6:00pm

Cover model Jimmy Thomas will be holding a live photo shoot in a nearby outdoor location. This event is open to the public (no personal photography allowed). Jimmy will post “behind the scenes” photos on his Facebook page, and the finished photos from the shoot will be for sale on his website, http://www.RomanceNovelCovers.com.

SATURDAY (Jun 4th) SPECIAL EARLY-BIRD PRESENTATION ~ 2:00pm

Cover model Jimmy Thomas will be holding a live photo shoot in one of the hotel suites, and we are allowed to sit in and watch how a book cover photo is done! ONLY REGISTERED ATTENDEES may be present (no personal photography allowed). This is a memorable experience and not to be missed! Jimmy will post “behind the scenes” photos on his Facebook page, and the finished photos from the shoot will be for sale on his website, http://www.RomanceNovelCovers.com.

WOO-HOO!

June 4th – Arizona’s 1st Romance Reader Event!
http://arizonadreamin.wordpress.com/

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Easter Traditions

It’s a weird feeling when things changes slowly over time. For years, we would drape the dining room table with newspapers, fill the cups with hot water, vineager and the dye, then watch as white eggs were transformed into colored ovals. Crayons and stickers came later as the kids became more sophisticated. Names and faces would appear white as the eggs emerged from their dye baths. Fingers would change colors. I’d get up early and add the goodies to the kids Easter basket then traipse outside with the dog and hide the eggs.
Slowly, the eggs changed from colored real eggs to plastic. The candy changed to personal favorites–KitKats for one, Snickers for another, Fundip for the third.
After the sun came up I’d hear the kids rummaging through the basket then the squeak of wet hands on glass as they’d try to see outside for the eggs–the plastic ones contained money. There’d be flip-flops and untied sneakers as the basket bounced against their legs as they started their search. My husband always provided the one with the least booty a bit of help. The dogs always tried to eat the real eggs.
Last would come the big breakfast complete with hard boiled egg duels. Then the obligatory peeling of the Easter eggs to devil them for dinner and company.
This last Sunday marked the first time we didn’t have hard boiled eggs or an egg hunt. My kids woke up one-by-one, grabbed their baskets off the table then squirreled the booty away in their rooms and returned the empty basket. My oldest daughter spent the morning with her boyfriend’s family. There were no egg duels and my youngest just had 6 wisdom teeth removed, so she skipped breakfast too.
Time had changed us.
But as we gathered with family for dinner, with deviled eggs, I wondered how long it would be before this too would change.

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Pet Peeves

I understand what you’re saying.
That sounds nice, doesn’t it?
After all, that like someone telling you they get you and don’t we all want to connect to someone who gets us, who listens.
As a writer, I strive for clarity. To understand my story, the reader needs to understand what I’m saying. I’m not going to enjoy a story much if I open the page and all the words are in German. I don’t read German.
So usually when someone says, “I understand what you’re saying.” your first thought might be ‘Oh praise Buddha.’
And maybe you’re right. Lately, the phrase causes me to gnash my teeth and growl. For the last month, I’ve dealt with insurance companies, service departments, mortgages companies, contractors, retail stores and customer service department who all used the phrase I understand what you’re saying.
They don’t.
It’s one big fat manipulative lie. The person on the other end of the phone, only understands that they’ve had to check their ability for independent thought at the time clock and read off the acceptable responses given to them.
There is no middle ground allowed, and they certainly don’t care if they solve your problem or not. They get paid regardless.
Which is fine, in one respect. I don’t begrudge them a paycheck.
I do begrudge a paycheck to the slimeball who’s teaching them such manipulative tactics. In fact, I begrudge that lump of human detritus oxygen, food and clean water. In fact, I hope the people who teach customer service representatives to give false hope, pretend sympathy and other drag humanity down to the level of swamp gas rots for all eternity.
Because I’ve had all the phony commiseration I can handle, and none of it has gotten my house fixed, reversed the charges on my visa, or reimbursed me for those hours I’ve spent on the phone.

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Keyboard Tantrum

A charcter’s habits provide a shorthand approach for the reader to identify and indentify with a character. And often the best places to get those quirks and habits that make characters 3-Dimensional are from observing people. Within the last couple of days, I’ve watched a particular habit that was expressed three different ways but vented the same emotion–frustration.

The scenario: A person is sitting at the computer. They must enter a password (that has not been saved) to enter their account.

Person 1 presents their case with words, violence, and a healthy dose of paranoia. He shouts at the computer screen, “What do you mean doesn’t match? Of course it matches. I haven’t changed it. See.” Types in password again. Receives same errror message. Begins pounding on keyboard with flattened hands and yells, “You’re so stupid!”

Occassionally followed by the statement, squeezed through gritted teeth, that the computer isn’t working properly and could I check it for a virus.

Person 2 has obviously been through anger management training. He shouts at the computer screen, “What do you mean doesn’t match? Of course it matches. I haven’t changed it. See.” Types in password again. Receives same errror message. Shoves back chair and flails arms and legs, but doesn’t touch machine or other objects in the room. Usually shouts, “I hate computers! I hate them.”

Follow by, “Does anyone remember the stupid password for….

Person 3’s personality presents itself in a different way. No sound is made until the third entry then there’s a low growl and both index fingers emerge. There is a sharp, powerful stab at the appropriate keys while bared teeth are reflected in the monitor. The enter key is pecked once then the index fingers point accusingly at the computer. Finally the user’s chair creaks, there’s a mutter about intelligence (often open to interpretation of who’s or what’s has been insulted) and the next window begins to open.

By reflecting this kind of reaction in all of the story’s frustrating moments, a reader will be able to identify the character without the author stating their name and maybe get a giggle out of it too.

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Editing with an Editor

Sometime after you get ‘the call’ you’ll have to edit your manuscript to an editor’s specifications. Each publisher and each editor have their own preferences. The traditional way is for the editor to make their comments, send the manuscript back to the author, the author makes their changes then it goes back to the editor. This process will repeat until the editor is satisfied. In some cases, the manuscript will then be passed on to another editor for line edits.
Most of my manuscripts go through 3 rounds of edits with the editor, but one of my publishers does tandem edits. For a scheduled period every night, I sit at my computer looking at each chapter in Google Docs while my editor is at her computer–looking at the same file. We instant message each other, plus there is a side bar for other comments. For large rewrites to be made notes can be inserted and emailed to both of us in case the changes will take too much time.
Although much of my time is spent watching the grammar glitter (punctuation and stylistic preferences) being added/changed, I usually take the opportunity to try to learn something.
On occassion, I have to consider word changes, or if I don’t agree with them because of my own preferences, we find a happy medium there. Case in point, Fiona’s story, the second sequel to Ghost of a Chance, is a Victorian-era novel set in London. I used words that were accurate at the time, but my editor had me remove them for the sake of a modern reader’s clarity. On the one hand, I hated having to remove the word because it was a neat historically accurate factoid that gave the flavor of the period, but… The object of writing is to transport the reader to another time and place, not educated them or stop them on a small detail that might throw them out of the story.
Which leads me to the point of this entry–clarity. An editor is really an uber-critique partner. While I have had many critique partners that have ignored my advice, an editor is different. You’ve sold the story to them, they have the right to change it and correct it.
I’ve never had an editor force any changes on me –the process has always been collaborative never dictatorial.
In rare cases where I want something the way it is, I explain my reasoning and, if necessary, present facts in support. All of these things are straight forward. Only rarely, do issues come up and usually this revolves around clarity–I actually don’t understand what the editor wants to see that they think is missing, or more precisely, not presented in quite the manner they expect to see it.
As a writer, this is my biggest hurtle to overcome.
While the manuscript is being edited in tandem, this can cause a serious delay. But it also provides an opportunity. You see, I don’t think like most people. When something is spoken or written, I usually interpret things in multiple ways and not always the most obvious one first. So sometimes it takes me a while longer to process, sort, and understand what my editor sees as the problem. This usually involves lots of back and forth while I discern what we agree on and what we disagree upon. This is a very BIG benefit to IM and tandem editing-no lag time between emails.
Then there’s the quiet time, while I process, analyze and decide how to solve the problem. That usually takes about a minute after I think I understand what the editor wants. Last night’s problem was resolved by deleting 3 lines of narrative and adding maybe 6 lines more. Not a big deal, really. And, bonus, it clarified the conflict, added a little more depth to the characters and wove a little backstory in to boot.
So the lesson is this: if a critique partner or editor says something about your manuscript that you think is in the text, you may want to ask questions to find out what they expect to see and the form they expect to see it. I find this happens a lot if I hid important points in the middle of a paragraph–moving it to the end, usually makes certain the detail isn’t skimmed over.

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Interview With Caris Roane

What prompted you to write paranormal romances?
Actually, I was writing paranormal romance before there was a genre. Years ago, in the early 90s, I wrote three full-length Regency romances that included characters from Greek mythology. This was well before Sherrilyn Kenyon’s famous Dark Hunter Series. Of course, I wasn’t thinking ‘paranormal’ back then, I just thought it was a cool, fun idea to include Psyche and her gorgeous husband Eros in a few books, as well as Artemis. Then around the mid-nineties, my editor at Kensington asked me to write a Regency novella featuring vampires. That was a total blast!
As for switching from sweet Regencies to the spicy paranormal genre, I would have to say that Sherrilyn’s work really inspired me, especially since she’d used Greek mythology and I could totally relate to that. I also fell in love with the work of several authors and began my own feeding frenzy, devouring book after book. I became insatiable. Then at some point I just knew I had to write my own series based on some super hunky warrior vampires, sporting extraordinary wings, and battling an enemy in a very complex world of ascending dimensions.

Have you ever had a paranormal experience?
First-of-all, I make it a practice to stay far away from that which is paranormal in our world: ghosts, demons, etc.
But I once dreamed that a friend of mine, who engaged the paranormal world on a daily basis–as in seeing dead people–came to me in said dream and told me not to sleep in a certain room at the very haunted Grand Hotel in Jerome, Arizona. Since I’m basically a chicken, I heeded her advice. No way was I going to tempt fate to find out what awaited me in that room! Frankly, having a dream like that is as paranormal as I ever want to get!
Can you tell us a little bit about your latest release?
I have two upcoming releases that I’d love to share with you. Burning Skies is the second novel in my Guardians of Ascension series and will be available beginning April 26th. This book chronicles Warrior Marcus as he gets caught in a wild bit of vampire mate-bonding and hunts down the seductress of his dreams, Havily Morgan. Burning Skies follows the first release of this series, Ascension, which hit the shelves December 28th, 2010, so basically we’re off and running.
Now, here’s a really exciting development. I just completed a novella called Brink of Eternity, based on the same series. This is a fully-formed romance, which will be available as a digital release at various outlets like Amazon and Barnes & Noble, etc., for $.99. I don’t have a release date yet, although I expect it to come to market either by the end of April or the first of May. As soon as I have the release date, I’ll put this on my website: http://www.carisroane.com.

Do you plot your stories out or do you just start writing?
Honestly, I do both. I wish I could do one or the other, but I can never just start writing nor can I just plot. I do a little plotting, get stuck, then do a little writing, then back to plotting, then back and forth until one day, what do you know, I have a complete novel. I should add, though, that when I say ‘plotting’ I also mean a lot of character work as well. So you might say that I plot, I write, I work on the characters, then plot, then write, then work on the characters, and so forth. Sometimes, I’ll even throw in theme and setting to jumpstart the muse.

What was the funniest thing you learned about your hero/heroine from writing
In Burning Skies, the funniest thing to me about writing Marcus, my hunky vampire hero, was that he was so absurdly possessive of Havily, more even than Kerrick, the hero of Ascension. Of course, I loved that about him!

Which of your characters is most like you and which is least like you?
Let me answer the question this way: the character I wish I was most like is Endelle. She’s my profane, irreverent, snarky leader of Second Earth, totally unfit for the job, but doing it anyway because that’s the job she’s been given to do. She is completely fashion-challenged, as in she wears animal skins and snake-skins and feathers, and always a pair of black stilettos. But I love that she just doesn’t take anything from anybody. She’s absolutely fearless. If anyone ever said to me, “You’re just like Endelle”, I would of course be appalled, but at the same time secretly pleased.

Can you describe your office or where you normally write?
I have two places where I write. When I’m doing strictly plot or character development, I sit in a recliner in my living room, which is one of the most peaceful places in my house. But when I’m writing, as in composing a scene, I have a non-internet computer in a dark corner of my bedroom. I have a 22” monitor so that I can have several files open at once. I have an iPad at my fingertips, which is connected to the internet and which I use strictly for research. I sit in a chair I bought at Pier One Imports that has a really thick comfortable seat and I have a separate sliding table that my keyboard sits on and which I pull up over my lap when I’m ready to dig in. The arrangement is super comfortable which allows me to write longer because I don’t suffer any kind of back strain. I don’t really have much else in my writing space, except my book covers because they inspire me. St. Martin’s has done a fantastic job with the covers for my Guardians of Ascension series.

Which came first the plot or the characters?
As with the plotting/writing conundrum, I really do keep moving back and forth from one to the other because more often than not, something a character will do will then determine the direction the plot takes and wouldn’t you know it, the plot sometimes demands that a character possess a certain attribute or character flaw. I suppose you could say that it’s a truly organic process, always growing out of one thing, then another, and so on.

Have you ever gotten stuck while writing a scene or chapter? How did you
overcome it?

Getting stuck, in my opinion, describes the writing process from beginning to end. I can think I finally have a book well-plotted, then realize I haven’t considered this or that plot element at a given point, and, voila, stuck! So, the way I see it, writing is all about learning a bunch of skills for getting over the humps, all the humps.
So, how do I do it? Good old-fashioned determination, for one. Sometimes, you just have to plow through the issue despite a mounting sense you’ll never overcome. I’m amazed, for instance, that if I just keep pushing through whatever has hung up my story, eventually, all good things come.
As for specific techniques for getting unstuck, my current favorite while I’m writing, is that the moment I reach a point in a scene when I’m ‘stuck’, I’ll play a quick game of solitaire. More often than not, right afterward I can move forward with whatever issue was giving me trouble. Sometimes, a nap helps. Sometimes, a problem won’t be resolved without a good night’s sleep. But as I said before, sometimes just pushing through will yield a world of good.

What is the wackiest thing that’s ever happened to you since you started
writing?

Well, anyone who’s ever gotten THE CALL, that moment when an editor wants to buy your book, will understand this…but I think the wackiest thing that ever happened to me was getting my first contract. You work and work, you slave over every word, you get your rejections, you take all the expressed doubt from your family you can handle and some you can’t, you listen to your critique group yawn at what you’ve written or take you task over a comma, a period, or a quotation mark, then one day, someone actually wants to publish your book. I mean, that’s just wacky!

What words of wisdom can you offer other aspiring writers?
I’m a firm believer that getting where you want to go in the publishing industry, whether print, digital, self-published or New York published, or all of the above, is one hundred percent a matter of grit and determination and dare I say it, stubbornness in the face of adversity. If you’ve got perseverance, my friend, you can get where you want to go. Just dig in and do it! You can do it, you can do it, you can, you can!!!

Thanks for visiting Caris!

Caris Roane has published over fifty Regency romance novels and novellas under the pen name, Valerie King. In 2005, Romantic Times gave her a Career Achievement award in Regency Romance. Having had a long-time love affair with vampires, Caris tackled the paranormal genre, building a world based on ascending dimensional earths. The first novel of the series, Ascension, was released December 28, 2010. Burning Skies, the second book in the series, hits the shelves in May of 2011. And the third novel, Wings of Fire, is a September release.
Caris lives in Buckeye, Arizona with her two cats, Sebastien and Gizzy.

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What’s Happening to Me?

Sometime in the distant past, I underwent that purgatory known as puberty. You, yourself, may have experienced that wonderous period of acne, voice changing, hair growth and hormonal mood swings.
Fun times, right?
Sure-If a root canal without novacaine is your idea of a good time.
Around the end of my teens, my body and I reached a detente of sorts. Once a month of so, I would binge on chocolate-covered salt, wear looser pants and lock myself away from my loved ones to avoid saying things like, “Your teacher was wrong; there are such things as stupid questions.” and “Be glad that our family is long-lived, because time will heal the pain I’m about to inflict.”
Not exactly words that promote strong, healthy relationships–although in social Darwinism…
But I digress.
For several decades, I had a system that worked. Then some #$%##@! changed the rules. My family is blessed with early on-set menopause.
I do not feel blessed, I feel fricking cursed, betrayed and outright lied to. Why exactly do I, as a woman, get to go through puberty twice? Who made up these darn rules and can I sue them for cruel and unusual punishment, or, at least, aim a Tommy gun at them?
And as my default emotion is homicidial rage, this hormonal tinkering is not a good thing. EVER!
Fortunately, I am human, see me adapt.
Unfortunately, I’m not quite certain who I’ll be at the end of my hormonal oddessy.
But I won’t be the same as I am now.
I am already waging a campaign of psychological warfare that would made the CIA proud. But the dark moments stil surface. Sometimes I give into them. Intelligent Design is a result of one such episode.
And let me just say the cover is just the beginning.
Most of the time, I fight the anger. One way or the other, I’ll emerge from this hormonal forge stronger, better, and lots of fodder for more stories.

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Hypens

For the most part, I understand how to use the hypen.

1) Compond numbers from twenty-one to ninety-nine or such as in fractions one-third, three-quarters.

2) In prefixes like all-, ex-, quasi-, self-, and sometimes co-.

Examples: all-American athelete, ex-wife, quasi-professional, co-worker, and self-conscious.

3) In words beginning with a capital letter.

Example: pro-American, non-Protestant

4) To prevent two identical vowels or three identical consonants from meeting.

Example: Fall-like, semi-indecent

5) Can also be used to prevent confusion.

Example: recreation vs re-creation

6) My big problem comes in when it involves group modifiers. For some reason, my brain just wants to leave the group modifiers alone or link everything together in an endless chain.

Incorrect: His cough came from a two pack a day habit.
Correct: His cough came from a two-pack-a-day habit.
Incorrect: The burned out cars and broken windows are a result of the riot by pro-Quadafi supporters.
Correct: The burned-out cars and broken windows are a result of the riot by pro-Quadafi supporters.

Obviously, I’m still working on the last one:-)

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